Archive for November, 2007
Kataka Gara: Healing Through Music
Sometimes life gives you a breath of fresh air, and that’s exactly what you get with Kataka Gara. Master healer, singer, and musician—whose presence radiates a cup of healing java as soon as she walks into a room.
Although a Reiki (pronounced “rake-key”) master and healer for over 23 years, Kataka’s true passion began to unfold when she discovered that energy transmission was achievable through music. Sounds, she attains, “have long been known to possess the power to heal”. As eccentric as Kataka’s thinking may sound, the concept of ‘healing sounds’ is not as far fetched as one may think. Scientific research around the globe has proven the effectiveness of sounds as a therapeutic tool in treating many of today’s common ailments. In fact, this unconventional approach to healing stems from a very conventional basic principle: resonance1.
Remember the first law of thermodynamics? Well, if one accepts the first law of thermodynamics, one must also accept the basic principle of resonance. For if energy cannot be created or destroyed; but changed from one form to another2—then does it not become only logical to believe that this energy must radiate, live, and broadcast in some way?
The basic principle of resonance affirms that this way is through vibration, and that every item; including various parts of our bodies create sound3. Thus, an overworked or overstressed body can be compared to a guitar with a loose string or a piano out of tune. This is where Kataka Gara comes in. By combining her knowledge and experience with healing and her musical talent (she can play over 30 different globally unique instruments), Kataka Gara is able to channel energy from her music into our bodies. Her instruments, voice, and learned knowledge from her healing practices become her tools. Like a doctor who knows what tools he or she will utilize for any given surgery, Kataka also recognizes which of her tools she will need for her healings.
Kataka admits that she is constantly aware of the energy around her. Of energy received, as well as energy given off by others; as exhausting as the continuous flow of receiving and transmitting energy sounds, Kataka contends that her healings only serve to further enhance her own energy. Healings; however, she says “can only achieve their full potential when the receiver willingly opens their mind and heart” to the mending.
Kataka Gara seeks a purpose within this planet that will allow her to fill others with “beauty, grace, and joy through her musical healings”. She passionately continues to craft musical sounds with her voice and array of instruments, leading her to the creation of her newest compilation which can already be heard through her website (www.katakagara.com). Make sure to browse through her site or attend one of her many workshops or performances whenever you’re in the mood for a cup of healing java.
ãMartha Lopez
For more information on Kataka Gara visit www.katakagara.com
Interview date: 28 October 2007
Made possible by:
1 Jeffrey Thompson, DC, BFA, The Clinical Use of Sound, http://www.healingmusic.org/Library/Articles/ClinicalUseOfSound.asp, Accessed 1 November 2007
2 Wikipedia contributors, “Thermodynamics,” Wikipedia, The Free Encyclopedia, http://en.wikipedia.org/wiki/Thermodynamics, Accessed 30 October 20073
3 Jonathan Goldman, Shifting Frequencies: Frequency + Intent, http://www.healingsounds.com/articles/shifting-frequencies-1.asp, Accessed 30 October 2007
Add comment November 14, 2007
2:19
It took you two hours-and-nineteen minutes
to get all dolled up
30 in the shower
An hour on the hair & make-up
and the rest on those small details that, on occasions like this, make a world of difference
Pedicured toes and all
2 hours-and-19 minutes
Eyeshadow in place, mascara on the lashes
Hair stunning, and did I mention, without any frizz?
A dab of pink on those luscious lips
Skinny jeans on those hips
You was sure to get his attention looking this way
No way jose, he was not going to think,
“Man, should’ve stayed with her”
You were early to church
Gave you time to calculate
Just where you were going to sit
Not too close to the casket
But not too far from him
Sure the father’s dead
The man is losing his head
But, hey, it’s no excuse
Why not have a rendezvous?
I don’t matter anyway
I never did, in the first place
You never liked me, either way
Standing at that church
Watching you prowling for your next move
Thought about how long
All that glitz and glamour took you
You looked stunning that day
Yet your best work doesn’t compare
To my lousiest of days
Your swaying hips
are no contest
to my natural curves
Glossy lips
don’t compare
To my sun-kissed face
Your latest hair-do, with no frizz
although trendy, was a miss
When you compared it to my locks
Straight and shiny with no fuzz
2 hours-and-19 minutes
Head-to-toe glamour
Thought you looked tasty like honey
Yet your best work doesn’t compare
to my lousiest of days
That cake on your face, that you like to call make-up
May have caught his eye
And yet compared to my barren face–
It’s simply
A disgrace
What you didn’t plan out, sweet-stunning-thing
Sexiest-thing-funeral-has-ever-seen
What you fail to realize
and probably will never know
Is that
While make-up may do wonders
It doesn’t cover souls
And your dying-low-life, blood-sucking, funeral-hounding
love-snatcher-soul…
Reeked a mile away
Add comment November 9, 2007